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Apple iPhone 7 review:

Curved wraparound screen? Nope. Wireless charging? Not yet. Are you bothered that the new iPhone looks the same as last year's iPhone? If you are, I understand the feeling. The iPhone 7 doesn't feel like the "whole new thing." Does that bother you? Maybe. But is it better? Yeah, it is. Except for one small 3.5-millimeter thing.

The iPhone 7, as you may have heard (you've certainly heard), and it looks almost identical to the 2014 and 2015 . But there are still compelling reasons to consider an iPhone 7, even if you own last year's model.

  • The iPhone 7 is now fully water-resistant (it can take a shallow dunking).
  • The camera takes notably better photos, especially in low light, and adds the optical image stabilization feature previously restricted to the 5.5-inch Plus model.
  • The battery lasts longer -- probably a couple of hours or more a day, under normal usage. (We'll update this review after we test the battery in our lab.)
  • The processor is faster, although you might only notice the speed on some intensive games and the video and photo-editing apps.

It's also got a "wide color gamut" screen with enhanced color accuracy, and enhanced stereo speakers, though I didn't find those improvements as critical as the ones above. And the home button isn't "clickable" anymore -- it uses the same pressure sensitivity and vibration feedback found on the 3D Touch screen. It works perfectly well, but takes some getting used to because there's no mechanical click when you press the home button.

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As with last year's iPhone choices, you can also opt for the step-up , which offers a larger screen (5.5 inches vs. 4.7 inches). But that model's big attraction is the dual rear cameras, which can stitch together two images to offer unique effects such as 2x optical zoom and -- after a future software upgrade -- a cool in-camera bokeh effect, which blurs the background while keeping the foreground in focus.

Now, should you wait until 2017? All the rumors point to Apple delivering a major design overhaul for the iPhone's 10th anniversary -- anything from a Galaxy Edge-style wraparound OLED screen to a fingerprint sensor hidden under the screen to wireless charging. It's tempting. But in the meantime, especially if you want to take advantage of the various retro-contract "free with 2-year commitment" offers, know that the iPhone 7 and 7 Plus are worthy, useful upgrades to their predecessors -- even if they look almost identical from the outside.

  • iOS 10: All the new features, tips and guides
  • 23 hidden features in iOS 10
  • 15 ways iOS 10 will make the iPhone better

Let's not diminish the missing jack. The loss will hurt, especially while other iPhones exist that still have a jack onboard. If you want to plug regular into your new iPhone, a process that seemed simple and uncomplicated before, you now need to consider whether you brought the included dongle, or have a pair of Bluetooth headphones. Or your special Lightning headphones that come in the box. But it's surmountable. I lived with the new iPhone 7 and 7 Plus for a week, and this is my story of life without the jack and with everything else in the new iPhones.

Editors' note: We're still testing the battery and performance of the iPhone 7. Consider the ratings to be tentative until finalized.

Headphone jackless

Mark me down as someone who will miss the headphone jack.

Despite living in a mostly wearable, wireless world, I don't like Bluetooth headphones. And I also hate dongles. I'm learning to deal with both now. Apple's new AirPods make a case for how more-advanced Bluetooth mini-earphones could be fun to carry around. But to me, nothing beats a cheap pair of plug-and-play earphones for lazy convenience.

Other phones that offer what the iPhone 7 offers don't seem to need to get rid of a headphone jacks. But maybe the trend will grow. The adoption of USB-C, a versatile jack, may lead to headphone jacks going away in Android phones, too. Maybe we should just get ready for the change.

True, the iPhone 7 gives you a number of options: Get a pair of Bluetooth headphones. Apple's AirPods, maybe? I'll get to those in a minute. You could use the included wired Apple EarPods, which now have a strange Lightning plug instead of a 3.5mm one. Or the Lightning-to-regular-headphone adapter dongle, which Apple's thoughtfully included in the box. (You can buy extras for $9 a pop.) But you have to remember to take it everywhere with you, and who wants to remember to carry a dongle? (If you leave it attached to your headphones, you better not bring another pair of headphones.)

That little headphone jack is the one thing that I could see bothering people about this phone. Like the single USB-C port on Apple's newest MacBook, it's a compromise that feels forced.

If you're already a wireless headphone power user, you won't miss a thing. But someday -- who knows when? -- you'll find yourself somewhere wanting to use a pair of wired headphones. And you'll find that you can't plug them in because you left your dongle behind. Don't cry to me when that happens.

Design: Black is the new black

In a world of curved eye-popping displays, the iPhone now looks a little old-fashioned. It's slim and attractive and still very well-designed, but the iPhone 7 looks just like the iPhone 6 and 6S. It's like the MacBook Air, or the iPad: A familiar, old form. Maybe more durable, but it's mostly the same. Apple smoothed out the seams that used to hide the phone's antennae, so the aluminum around the back looks smoother. The camera bump is larger, by just a bit.

Apple added new colors this year, too. Now the phone comes in two versions of black in addition to the existing silver, gold and rose gold colors. Regular black is matte, while jet black is a high gloss. Jet black, it turns out, is a fingerprint and scratch magnet. Mine is already peppered with microabrasions after just a few days. My suggestion: Don't buy jet black if you care about scratches.

But if you're looking at the iPhone 7 from the front, it's almost impossible to distinguish from the iPhone 6 or 6S. That's how similar the design is.

A home button that doesn't click

Using the new home button, even after a week, feels weird. It's been a hard adjustment.

I've clicked so many home buttons. The iPhone 7's "button" is really a solid state circle that doesn't move at all. It's like the new MacBook trackpads, in a sense. Push down, and you get a haptic "click" that's not quite as satisfying.


You won't wear down the button, though, because it doesn't move. And really, it feels a bit like 3D Touch -- Apple's new pressure-sensitive touchscreen tech introduced on the 6S and returning on the 7 -- moved into the home button.

So if that home button is now just a flat surface, it also feels like a carrot on a stick to use 3D Touch more. I still don't use it much, but iOS 10 uses it a lot more...and to some effective ends. There are so many ways to pull up apps from the home screen, or check info, that the home button really isn't needed much. Now that the screen auto-wakes on lifting, that's doubly true. I bet that home button will just disappear next year, with the fingerprint reader absorbed into the display. Why not?

Yeah, it's really water resistant (but don't go swimming with it)

Apple's IP67 water-resistance rating on the new iPhone finally catches up to phones that have been dunkable for a while. can survive a drop in the sink. The can do it, too. Even the supercheap can do it.

How water resistant is the iPhone 7? Apple calls it "splash and water resistant," and by the way, IP67 means 1 meter of water for 30 minutes and complete dust resistance. But Apple also warns that any dip in salt water should be followed by an immediate rinse in fresh water. And also, you have to dry your phone for at least a couple of hours before charging (I'd take the safe side with this).


I took the iPhone 7 in the shower. I dropped it in a fish tank a few times. I put it in a sink and turned on the tap and filled the sink with the iPhone in it. Stay tuned for further, longer tests. But it's survived every test easily. But FYI, capacitive displays go nutty in water. You won't be able to use it when submerged -- nor should you.

Other small perks: Stereo speakers, a slightly improved display, buzzier haptics

I couldn't appreciate Apple's wider color-gamut display on the iPhone 7, which is supposed to the best next to the and , as well as 25 percent brighter. It's good, don't get me wrong. But to my eyes, next to a 6S or , it felt the same. And in direct sunlight (I used it in seriously bright New York September sun), it was sometimes hard to see. Like all iPhones, but not really better.

The speakers sound louder. They surround the left and right sides of the iPhone now, instead of a single speaker down by the home button. It's better for casual game playing or movie watching, but I'd take headphones every time. Or, if I was sharing with someone, I'd pick a larger screen. They don't always sound as defined and crisp as I'd like.

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A Tale of Deleted Cities

This post coincides with the CHM exhibit, Deleted City (May 28–October 2016), and the September 21, 2016, live program, featuring GeoCities co-founder David Bohnett, with Deleted City artist Richard Vijgen. 

This cheerful welcome page greeted visitors to GeoCities in its 1990s heyday

In the very, very, beginning, the World Wide Web was meant to be a two-way medium. You could post and edit your own pages as easily as you could browse those created by others. But the browsers that made the web popular left out editing features.

That left a need. Only geeks knew how to turn raw HTML into pages. How could ordinary people put up their thoughts, pictures of their pets, the hobbies they wanted to share with the world?

Some commercial sites tried to fill the need. They offered users space on their servers and simple templates they could customize with their own thoughts, and pictures of their pets. The biggest and most colorful of these was called GeoCities.

Like CompuServe, PLATO, Usenet, and dozens of other online communities before the Web, GeoCities was organized by topic. There were “neighborhoods” for tech, and LGBT issues, and wine, and golf, and pages on anything and everything you can imagine.

The site grew like wildfire, along with the web itself. GeoCities was the third most visited place online in 1999. It would eventually reach 38 million pages—all created by users. That’s like one for every person in Canada!

On the eve of the dot-com crash, Yahoo! bought GeoCities for over three billion dollars. Ten years later, they shut down the US version of GeoCities after many users abandoned their properties for newer kinds of social networks. Much of the raw data was saved by unofficial archivists. That’s where the story of our summer exhibit begins.

Starting this spring the Computer History Museum was pleased to host “Deleted City,” an interactive art installation based on the surviving backups of GeoCities. It is an artistic answer to a question set to grow in importance, as more and more of daily life goes online: How do you present a digital ruin?

"Deleted City" and accompanying exhibit materials at CHM

“Deleted City” and accompanying exhibit materials at CHM

“Deleted City” is an interactive visualization created by Dutch artist Richard Vijgen of the 650-gigabyte backup of the early web hosting service and online community GeoCities. Vijgen’s “excavation” of the files that remain depicts the file system of the GeoCities backup as a city map, spatially arranging the different neighborhoods and individual lots based on the number of files they contain.

Vijgens chose this approach partly because so much of the user interface to the original GeoCities was lost. Today, the remains of the massive site are mostly raw files and a number of screenshots. It’s as if we saved many of the bricks and beams of a building, but not the assembled structure. As the web ages, future historians—and artists—will face such problems again and again.

In full view, the map is a data-visualization showing the relative sizes of the different neighborhoods. While zooming in, more and more detail becomes visible, eventually showing individual HTML pages and the images they contain.

The entire map

Neighborhoods


User Pages

Individual Page


Richard Vijgen

Richard Vijgen

Before CHM, “Deleted City” was on display at the Los Angeles County Museum of Art. The artist specializes in interactive data visualizations ranging from microscopic to architectural in scale. His work has been widely recognized by professional organizations and publications including Wired, Gestalten, the Smithsonian, Rhizome, The European Design Awards, and The Dutch Design Awards.

At CHM, the challenge of presenting “Deleted City” was framing it in such a way that visitors didn’t get confused between the art piece and the original GeoCities web site it is based on. We added a number of images and text panels around the installation itself to give context. There were three overlapping themes we wanted to touch on:

  • The rise and fall of GeoCities, and its partial rescue
  • The use of rescued archives for a unique art installation
  • The general problem of the “digital dark age,” the huge losses of historical data and software that are increasingly threatening the core records of our age

As some readers may know, CHM is about to launch a major exhibit on the social impact of software in January 2017, as part of a larger series of initiatives to collect and preserve this most basic stuff of the digital revolution. “Deleted City“ and the story of the partial resurrection of GeoCities serve as an informal preface to this larger theme.

In 1993 David Bohnett’s life was in pieces. His partner of 10 years had recently died after a prolonged struggle with AIDs. It was the peak of the epidemic, before the introduction of effective antiviral drugs. Bohnett stopped his work for a software company and moved to a small apartment in West Hollywood, traveling and trying to find a new direction. He had been an LGBT activist since graduate school. His partner Rand Schrader had been a prominent campaigner and among the first openly gay judges in California, appointed by Governor Jerry Brown during his first term.

On a plane flight Bohnett read an article about the World Wide Web, which was getting more and more serious attention from the technology press. He was an experienced user of social platforms including BBSs and the various Online Services such as Prodigy and AOL. Suddenly he knew what he wanted to do. As he told  LA Weekly:

“I thought, ‘Let’s create something that takes the concept of interactivity and communication, and apply it to the World Wide Web.’ I was looking to throw myself into something.”

Using his life savings and funds from his late partner’s life insurance policy, he recruited web-savvy John Rezner, an IT manager at McDonnell-Douglass.

GeoCities co-founders David Bohnett and John Rezner. Tech entrepreneur and LGBT activist Bohnett wanted to help people interact on the Web. He teamed up with Rezner, a web-savvy computing manager at McDonnell-Douglas, and GeoCities was born.

GeoCities co-founders David Bohnett and John Rezner.
Tech entrepreneur and LGBT activist Bohnett wanted to help people interact on the Web. He teamed up with Rezner, a web-savvy computing manager at McDonnell-Douglas, and GeoCities was born

Their web dream started small, as webcams showing a live stream of happenings at exciting places—one in the gay mecca of West Hollywood, another in Beverly Hills for high-end shopping. But when GeoCities invited users to add their own pages on those themes, they launched a virtual land rush.

In 1997 the site counted a million users, dubbed “Homesteaders.” The next year GeoCities went public at a value of $86 million; it was one of hot IPOs of an increasingly frenzied dot-com boom. Bohnett used the money to add a number of features including a search engine and an evolving set of tools and templates which made it increasingly easy to create your own pages—no HTML skills required. Social tools made it easy for users to interact. Besides personal pages there was also business hosting, world news, shopping, and more.

The Digital City, Amsterdam, version 3.0 Amsterdam’s nonprofit, city-wide virtual community started in 1994. It helped inspire both other sites based on physical cities, and virtual landscapes like GeoCities

The Digital City, Amsterdam, version 3.0
Amsterdam’s nonprofit, city-wide virtual community started in 1994. It helped inspire both other sites based on physical cities, and virtual landscapes like GeoCities

By 1999 GeoCities was the third most-visited site on the web. There were 41 theme-based neighborhoods, ranging from fan fiction to fine dining. Its now tens of millions of users had populated neighborhoods such as WallStreet for investing and finance, Baja for off-roading, Athens and Acropolis for education and philosophy, EnchantedForest for kids, Heartland for hometown values, and so on.

Leonardo DiCaprio fan page

“Leonardo DiCaprio” fan page in Hollywood

Modifying images is older than Instagram. This fan used photo retouching software to play with various images of Leonardo DiCaprio.


My Cats

“My Cats” page in Petsburgh

Cats have been online for a long time. Petsburgh was the GeoCities neighborhood for everything to do with our animal companions.


Political page

Political page on CapitolHill

Although email played a role in the ’92 US presidential campaign, by 2000 the web had become a new mass medium, complete with ads. CapitolHill was the place for all things political.


Anime fan page in Tokyo

Anime fan page in Tokyo

Fan pages of various kinds were a staple of GeoCities. Tokyo was the neighborhood for Far East topics, including anime.

Bohnett’s timing for launching a web business had been perfect. So was his timing for getting out. In 1999 Yahoo! bought GeoCities for over $3.5 billion. Bohnett’s share of the sale launched his career as a major philanthropist, with a focus on LGBT and tech education causes. The dot-com bust battered Yahoo!, but it survived along with the GeoCities community.

By the early 2000s a new kind of online community was taking off. The focus of sites like Myspace and Facebook wasn’t general topics, like Beagle owners or punk rock. Their focus was you, the user—and your connections to your friends. The modern social media boom was under way.

Yahoo! eventually decided GeoCities was obsolete. All 38 million pages of the main English-language site were set to be erased in October 2009.

Image: Jason Scott. Half a dozen unofficial efforts, notably the Internet Archive as well as Jason Scott and Archive Team, managed to mirror substantial portions of GeoCities before its 2009 termination by owner Yahoo.

Jason Scott
Half a dozen unofficial efforts, notably the Internet Archive as well as Jason Scott and Archive Team, managed to mirror substantial portions of GeoCities before its 2009 termination by owner Yahoo.

Before that happened, though, several groups of hacker preservationists stepped in. Volunteers at the Internet Archive and Archive Team preserved tens of millions of pages. You can find most at the Internet Archive, by searching or from this landing page for their GeoCities archive.

Yahoo’s GeoCities Japan subsidiary is still thriving today.

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E-waste

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Short for electronic waste, e-waste is a term used to describe the refuse generated by electronic equipment such as monitors, computers, and mobile devices. E-waste encompasses the materials used to manufacture electronic devices as well.

Also see: Computer, E-, Monitor

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Credit card fraud

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Credit card fraud is the act of someone illegally using another person's credit card to make purchases without their permission.

Also see: Identity theft, Security terms

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Website

>

A site, website, or web site, is a central location of various web pages that are all related and can be accessed by visiting the home page using a browser. For example, the Computer Hope website address is: http://www.computerhope.com. The image to the right shows how the Computer Hope website looked in 2011.

The first web site was built at CERN by Tim Berners-Lee and put online August 6, 1991.

Most style guides suggest using "website" instead of "web site" in all forms of writing.

A website refers to a central location that contains more than one web page. For example, Computer Hope is considered a website, which contains thousands of different pages. However, this page you're reading now is considered a web page on Computer Hope.

Also see: Dynamic website, Internet, Internet terms, Portal, Static website, Web design, Web page

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